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Performing Arts Market in Seoul 2009's Theme Session: Pre-production, Production and Distribution!
In line with the market vision of this year, which intends to include works in-production, Performing Arts Market in Seoul 2009's theme session goes beyond the marketing of finished work, under the theme of ‘Pre-production, Production and Distribution.’ This theme session is comprised of four sessions, including a main theme session and Distribution Networks in North America session, both of which deal with domestic and overseas support policy models and examples of projects that link ‘Pre-production, Production and Distribution,’ along with separate domestic and overseas presentation session on the creation and development stage, both of which deal with searching for actual production partners.


The Theme Forum, which heralds the beginning of Theme Session, presents diverse possibilities for the vitalization of performing arts distribution by considering a work even from the stage of creation, through domestic and overseas support policy model related project cases that link Pre-production, Production and Distribution.

Date: Oct. 14 (Wed), 09:30-10:50
Venue: Small Hall 'Dal' at the National Theater of Korea
Sessions Theme Speaker
Session 1 Incubation Project for the Performing Arts
- Case Study on the Policy to Support the Creation Stage,
and its Effects
Hyun Ju KIM,
Manager of Planning Team, National Association of Culture & Arts Center
Session 2 Incubation Project for Outstanding Works from Daehakro
- Discovery and cultivation of outstanding contents
suitable for small theaters
Joong-Chel CHOI,
Director, Seoul Theater Center,
Seoul Foundation for Arts and Culture
Session 3 Promising Youngsters Discovered by Seoul Fringe Festival and Doosan Art Center-Project Big boy
- Case of cooperation with art center and festival
Su Hyun YI & Yo Ahen KIM
Producer, Doosan Art Center
Session 4 Australia Development Site
- Work development and distribution through cooperation
among festivals
Lindy Hume,
Artistic Director of Sydney Festival
Session 5 Swedish models and future plans in Nordic countries Virve Sutinen,
Director of The House of Dance
Panel discussion Panel discussion and Q&A -
 
Moderator: Se Hyung OH
Se Hyung OH is working as an expert advisor to the Gyeonggi Cultural Foundation’s Art Supporting Team, and is also serving as a member of editing committee for arts management webzine. He graduated from Arts Management Department of Sungkonghoe University's Graduate School of Culture Studies, and served as director for the Theatre EDA, and as artistic director and producer for CH Play.
Incubation Project for the Performing Arts

- Case Study on the Policy to Support the Creation Stage, and its Effects
The ‘Incubation Project for the Performing Arts’ which has been carried out with national support since 2008, is a system that supports new musical and theatrical work. By providing support for each stage, outstanding works can be discovered and focused support provided, building a competitive edge for Korean performers over the longer run. Selected works can benefit from support in all stages, including planning, production and distribution.

Hyun Ju KIM
Hyun Ju KIM graduated from Fine Arts Department of Sookmyung Women’s University’s, after which she pursued a career as an art instructor. Later, she studied Art Administration at Sookmyung Women’s University’s Graduate School of Public Policy. She also worked for the Gana Art Gallery (2003) and as an appointed researcher at the Korea Tourism Research Institute (2004). Since 2005, she has been responsible for projects that provide support at the National Association of Cultural and Arts Centers, using the funds raised from the lottery.
National Association of Cultural and Arts Centers
National Association of Cultural and Arts Centers is a not-for-profit organization that has 128 member institutions as of September 2009, and is a national-level arts and culture center that was established in November 1995. The association is striving to contribute to the advancement of Korean arts and culture by making the operation of the regional cultural centers more effective, based on cooperation and interaction among the centers.


Incubation Project for Outstanding Works from Daehakro

- Discovery and cultivation of outstanding small theater contents
Incubation Project for Outstanding Works from Daehakro is a project that provides direct or indirect support to works that were performed in small theaters in the Daehakro Cultural District during the last three years, which producers are seeking the opportunity to perform on larger stages, or for works that are only partially completed which require support to complete the performance. This is one of the tailored Seoul support projects carried out by Seoul Foundation for Arts and Culture.

Joong-Chel CHOI
Joong-Chel CHOI is a founding member of the Seoul Foundation for Arts and Culture, and holds an MBA from Monash University in Australia. He has lectured on cultural management at Inha University, and Sookmyung Women’s University, and has also worked for the foundation’s Business Management Team and Arts Support Team. He is currently working on the Art Space Support Team (Seoul Theater Center).
Seoul Foundation for Arts and Culture
Seoul Foundation for Arts and Culture was established on March 15, 2004 to support cultural and artistic activities, to distribute created works, and to pursue the advancement of culture and art in Seoul by increasing the voluntary involvement of citizens in culture and art. The Foundation has a Board of Directors that is comprised of 15 members, including the Chair Ho-Sang AHN. The organization is comprised of two divisions, one center, and 12 teams, with 60 people, and has a budget of 29,531 Million Won.


Promising Youngsters Discovered by Seoul Fringe Festival and Doosan Art Center-Project Big boy
- Example of cooperation with art centers and festivals
Project to Discover and Cultivate the Next Generation of Artists, aims to discover and to cultivate young artists who continue to mull over the role of the arts and culture, while considering the future of the performing arts in this era. Accordingly, the target for the first project to be conducted in 2009 will be works that are based on the concept of the same era, in terms of form and content. A total of three works, selected from among those that participated in the Seoul Fringe Festival’s indoor performance which were performed in 2007, 2008 and 2009, will be performed on stage.
Su Hyun YI
Following stints with EDA Entertainment, Independent Planning and the group of producers, , Su Hyun YI is now working as a producer at Doosan Art Center. She is interested in discovering new artists and new works.

Yo Ahen KIM

Yo Ahen KIM worked for the advertising agency Oricom as an Account Executive (ad planning) from 2001 to 2004, and participated in TV/print/online ad planning and production for the Pulmuone, Woongjin Coway, and Daewoo Securities. In 2004, he moved to the planning team of the performance planning company Aga, where he was responsible for theatre and musical planning and marketing. In 2006, he moved to Dongsoong Art Center, where he worked as a theatre and musical producer. Since 2007, he has been working as a producer at the Doosan Art Center, where he played an integral role in the opening of the Doosan Art Center, the operation of the creative artist cultivation program, and the planning, production and operation of programs.
Doosan Art Center
Doosan Art Center carries out the public activities initiated by Doosan Group, by contributing to the community in the field of the arts. Focusing on musicals, it has been playing the role of an Art Incubator that discovers young, promising artists and new works with potential in the areas of theatre, music, visual art and dance.


Australia Development Site

- Work development and distribution through cooperation among festivals
Australia’s Development Site is a program that develops large-scale works in Australia. Once every two years, it is hosted, taking turns at hosting with the festival of Australian International Arts Festivals Inc. Key producers, staff members and actors from each theatre ensemble present works in the initial planning and preparation stages with the festival’s artistic director and the producers of the key art centers, to review their potential. Presented works face at least two to three years of production preparation, and the festivals support the production of these works through commissions from the festivals or the art centers.

Lindy Hume

Lindy Hume is one of Australia’s leading artistic directors, and acknowledged internationally for her diverse repertoires and progressive leadership. In 2008, she was appointed as the Festival Director and CEO of the Sydney Festival (2010~2012). From 2004 to 2007, she served as artistic director of Perth International Arts Festival. She has produced more than 50 major opera productions in Australia, and she is a recent recipient of an Australia Council Theatre Board Fellowship, and in 2007 was awarded the Honorary Degree of Doctor of Letters by the University of Western Australia in recognition of her contribution to the cultural life of Western Australia.

Sydney Festival
For three weeks each January the Festival offers a rich program of around 80 events involving upwards of 500 artists from Australia and abroad covering dance, theatre, music, visual arts, cross media and forums. In any given year, it makes use of most of the main theatres across the city including Sydney Theatre, CarriageWorks, City Recital Hall and venues at the Sydney Opera House. In 2008 the Festival introduced a new opening event, Festival First Night, which sees the city streets transformed into a series of free stages and precincts. 300,000 people enjoyed Festival First Night in January this year.



Organized by the Ministry of Culture, Sports and Tourism and the National Association of Cultural and Arts Centers, the Incubation Project aims to discover outstanding theatre and musical creations, and to provide strategic support in order to increase the will to create and to raise Korea’s competitiveness in the area of the performing arts. The Incubation Project selected three theater and three musical works in 2009. By presenting these six works, they anticipate seeking co-production possibilities and looking for investors.

Date: Oct. 14 (Wed), 11:00-12:00
Venue: Small Hall 'Dal' at the National Theater of Korea
Over-viewing Speech
[Theatre] Seoung-Mi KIM (professor, Seoul Institute of the Arts & Steering Committee Member-drama coordinator, Incubation Project for the Performing Arts)
[Musical] Yong-Shin CHO (musical columnist & Steering Committee Member-musical coordinator, Incubation Project for the Performing Arts)
Presentation: Six selected works for 2009 Incubation for the Performing Arts
구분 발제내용 발제자
Theatre Crazy Drama Theatre BaekSukwangbu
Kyoungsung Star Street Theater Troupe
House number 1-83, at Chasooks’s Theatre Nol-ddang
Musical Falling
Musical Heaven
My Sweet City OD Musical Company
Missing the Crown Prince Theatre Juk-Dal


Developed as part of North America Focus, Distribution Network in North America provides objective information on the performing arts market in North America, by examining the distribution network, introducing actual cases of distribution of North American performances, and delivering focused information during panel discussions and Q&A.

Date: Oct. 15 (Thu), 09:30-11:00
Venue: Studio Byeol at the National Theater of Korea
Sessions Theme Presenter
Session 1 NPN Funds
- Case studies of pre-production,
creation and distribution through the NPN
MK Wegmann,
CEO,
National Performance Network (NPN)
Session 2 Joyce Theater a. w. a. r. d show
- Creation of New work, Audience Development,
and Distribution through the program
MK Wegmann,
CEO,
National Performance Network (NPN)
Session 3 Canada: How can networks help in the development
and distribution of new work?
Clothilde Cardinal,
Artistic & General Co-Director,
DANSE DANSE
Panel discussion Panel discussion and Q&A -
 
Moderator: Sungyeop LEE
Sungyeop LEE worked for the Seoul Arts Center from 1987 to 2001 in the areas of performance planning and theater operation. Since 2002, LEE has been a professor in the School of Drama at Korea National University of the Arts. Currently, LEE is serving as the President of the drama ensemble, Wuturi Players, and is also involved as a committee member and executive with the Korean Association of Arts Management, Korea Arts Management Service, Korea Association of Performing Arts Producers, Seoul Drama Association, and the National Theater, as well as numerous other related institutions and organizations.
NPN Funds - Case studies of pre-production, creation and distribution through the NPN
The National Performance Network (NPN) supports creation and distribution through the network while providing direct support and program. Let’s study how this organization realizes its purpose through Performance Residences, the Freight Fund, the Performing Americas Project, the Creation Fund and the Pilot Program -Creative Development Phase of newly commissioned works-, by looking at actual case studies.
MK Wegmann
MK Wegmann has worked as the Vice Supervisor of the New Orleans Contemporary Art Center (1978-1991) and as the President of the Junebug Production (1993-1999). Since 2000, she has been heading up the National Performance Network (NPN). She has also served and chaired on panels for the NEA, the Rockefeller Foundation, the Kentucky Art Committee and the Houston Cultural and Art Committee. In addition, she has provided consulting for not-for-profit art institutions for more than 25 years in the areas of long-term planning, organization development and system management.
National Performance Network (NPN)
The National Performance Network (NPN) is a membership-based network of diverse art organizations and artists in the US, which aims to develop new audiences, expand the mobility of artists and their work, develop new works, and increase commissioning and cooperation capability of NPN members. To achieve this, NPN operates diverse support programs.


Joyce Theater a. w. a. r. d show – Creation of New work, Audience Development,
and Distribution through the program
Joyce Theater’s a.w.a.r.d. show, which was launched in 2006, is a program in which the audience evaluates the 12 works that have selected from among the new dance works submitted from different parts of the US to select the winner, after which the winner is presented with the prize money. This program was born from a need to carry out in-depth communication with the audience regarding dance works, and includes an introduction on the manner in which works are discovered, audiences are developed and works are distributed.
Martin Wechsler
Since 1996, Martin Wechsler has served as the Programming Director for the Joyce Theater, presenting more than 30 dance organizations every season that represent various genres, style and nations. In addition, he oversees a commissioning program that supports the creation of new works, and is responsible for the “EveningStars" program, a free outdoor dance festival that is held every year. He is now an active member of the New York Dance and Performance ("Bessies")’s Award Committee, and is co-producing the Bessie Awards Ceremony.
Joyce Theater
Joyce Theater, which opened in a former movie theater in Chelsea, New York in 1982, is one of the most important dance presentation institutions in the US. It works in all genres of dance to configure exciting new works. The theater strives to develop audiences by leveraging diverse programs such as the season program, A.W.A.R.D, festival and dance training.


Canada: How can networks help in the development and dissemination of new work?
CanDance is an association of Canadian dance presenters, and has total of 31 member institutions, including Danse Danse. It plans a wide range of programs to increase the level of understanding of contemporary dance among audiences, and leverages its network to provide support for work interchange and coproduction. Likewise, a case study on distribution in Canada based on the association’s network will be introduced.
Clothilde Cardinal
Clothilde Cardinal has worked as the Art Director (1995~1997) of the Festival TransAmériques (FTA), as well as the Art Director (1997~1999) of the Théâtre de la Ville in Longueuil. Since 1998, she has been hosting an annual networking meeting in Canada called the “Les Fenêtres de la création théâtrale,” which pursues cooperation between presenters and producers; this was inspired by his participation in a networking event held at the Avignon. Since 2000, she has served as the Artistic & General Co-Director for Danse Danse.
Danse Danse
Danse Danse is a not-for-profit organization established in 1998. It introduces outstanding contemporary dance works from Canada and overseas to audiences in Quebec and across Canada. Along with the support provided for creation and distribution, it has showcased performances by 50 groups from 15 nations since its establishment. Pierre Des Marais and Clothilde Cardinal, who have served as joint artistic and general directors since 2000, program a contemporary dance season every year that introduces diverse and superb choreographers to the performing arts venues in Montreal. Danse Danse also provides a range of other support for creation and distribution.



LIP, the last of the Performing Arts Market in Seoul 2009's Theme Sessions, consists of presentations that are made to search for international collaborating and co-producing partners. LIP aims to search for actual production partners through presentations for co-productions. Projects pitched at LIP are classified according to the stage of project development, i.e. creation, development and distribution. For each project, the idea and production plan will be introduced. Following this, the partners required for domestic and overseas cooperation (actors, choreographers, co-producers, presenters, investors etc.) are recruited openly. This program is hosted along with the Creative Producers’ Network.

Date: Oct. 16 (Fri), 10:30-12:00
Venue: Studio Byeol at the National Theater of Korea
Stage of Project Project Title Speaker
Creating
Together
February 29th Kuong Wa Fun, Erik / Independent Producer(Macau)
Looking for - Director or Theatre company, Presenter
Botari Kyu CHOI / Producer of AsiaNow(Korea)
Looking for - Stage Designer, Multi-media artist and Sound designer &
Co-producer or Presenter
Developing
Together
The Maids Kyu CHOI / Producer of AsiaNow(Korea)
Looking for - Multi-media artist and Sound designer / Co-producer or Presenter
Eu vos liberto
(I set you free)
Fernanda Lippi / Director of Zikzira Physical Theatre(Brazil)
Looking for - Partners
(festivals, venues, sources of funding) for its international tour in 2011 & Dancers

Fragments of J. Swift
by Pappa Tarahumara

Seongjoo JOH / Artistic Director of LIG Arts Foundation(Korea)
Looking for - Theatre Presenters, Commissioner, Performers(Dancers and Actors)
Ionesco's Rhinoceros Mooryang SUNG / Seoul Performing Arts Festival(Korea)
Looking for - Distributing Partners etc
The Condition of Balance NEO Kim Seng / Independent Producer(Singapore)
Looking for - Production Designers
(lighting designer, music composer, video artists, etc.)
Distributing Together Yellow Monkey NEO Kim Seng / Independent Producer(Singapore)
Looking for - Theatre Presenters